Fiction and non fiction
- Surprises. (plot twists, turns of phrase, slang, rhythms, jargon, cadence, dialogue, description. (Dawn Powell. Zora Neale Hurston. Penelope Fitzgerald. Peter De Vries. Edwige Danticat. Charlaine Harris.)
- Fluid grammar (Jamaica Kincaid. Tim Winton. Flannery O'Connor. Roberto BolaƱo. )
- Or, if not fluid, distinctive. (Henry James. Hemingway.)
- Strong moods (The Long Goodbye. The Bell Jar. The Bible. Sula. Woman Warrior. The Ripley novels. Rebecca. Bubbeh. Jude The Obscure.)
- Beauty —wow, what does that mean, Gigi? Craft inextricable from mood, emotion and statement. Something mysterious, like the overtones generated by a perfectly pitched chorus. Something transcending the combined powers of author and reader.
Plays
(if it differs across genres, do tell)
- Revelation (ways the writer reveals info - plot or character info)
- Tension (Can't tell what's coming next. When it comes, you can't tell where it will lead)
- Pace
- Surprise
Funny, witty, pessimistic, stylish, careful, crafty, splashy essays about clothing, couture, about odd things, like how Maria Callas lost her voice, and how this was interpreted or sold to the public. Cultural critique, I guess...
Novels no longer inspire me to write. They inspire me to obeisance.
the fact that you connected your points to specific texts really contextualized your ideas for me. i am glad you mentioned beauty. i'm am often asking the student writers where the "art" is in their piece. yes, beauty,
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